(can't) stop diss reveals more imperfection, new or revived improvisational reflexes, and the fraying of past identities in stephanie's voice. these sonic explorations present such a different state of 'vulnerable' from past slt works.

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once bitten, twice shy (dec 2013) happened in one sitting. each track an improvised live loop layered in real-time to create “a kaleidoscope of evolving and revolving vocality”, or what you might call a song.

dame's first album a bear being ridden by a ghost (may 2012) began her infatuation with the electro-acoustic exploration of the voice as a solo (or multiplied) instrument.

improvisations

live electro-acoustic set at Open Signal from stephanie lavon trotter on Vimeo.

compositions

a collected sampling of open scores, conceptual sonic experiences and scores written for performance from 2012 to present.